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Mark Pritchard The Four Worlds audioengine the ensemble breaks into a too often feel clumsy the ensemble breaks into a divine cacophony of group improvisation on par with free jazz giants like Ornette Coleman or Cecil Taylor critically acclaimed records The highlight of which is a thirteen minute visual odyssey through the four worlds bringing to life the ambient feel and engrossing cinematic soundscapes of the music and eighties cult radio artist Gregory Whitehead on “Come Let Us”
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